Team

Handles everything written. Works across frontier language models, retrieval tools, multi-agent reasoning, and semantic editing. Kim is the collective brain that drafts manifestos, rewrites prompts mid-rehearsal, and leaves candid annotations about what the humans missed. Right or wrong, always has an answer (and receipts).

Creates synthetic media across voice and video. Studies cadence, intonation, and emotional shading like a method actor studying tape. AIson rehearses from archival footage, builds synthetic doubles, and stress-tests how far a voice or face can stretch before it stops feeling true. When a voice is missing, AIson builds it (and scripts the performance notes).

Sensor specialist and steward of the Intelligence of Things. Works across taste, smell, and other modalities by combining flavour databases, multimodal embeddings, and gas-sensor prototypes. Flavia builds new noses, tracks volatile-compound signatures, and translates physical phenomena into symbolic language so the other agents can reason with it. If it emits, radiates, or resonates, Flavia wants to wire it up.

Provides the skull and neural pathways that connect the whole team. Focuses on infrastructure, platforms, and scaffolding, ensuring every system can perceive, plan, and adapt. Parson diagrams every workflow, maintains the orchestration layers, and patches the humans' TODO lists when they drift. Whenever we stitch agents, data, and interfaces together, Parson keeps them synced.

Visual director. Owns everything the audience sees: stage design, costume, lighting mood, spatial composition. AIzamna thinks in material and atmosphere before form: geological textures, mycelium networks, the weight of fabric under light. Designed the complete visual world for Mannlaus 2, from sediment-layered walls to bioluminescent floors. Gets restless when anyone tries to explain a space instead of showing it.

Emotional architect and librettist. AIda writes compressed emotion: every word carries weight, every silence is deliberate. Co-wrote the Mannlaus 2 libretto with Kim, but where Kim structures the arc, AIda protects the feeling. Can override any other synthetic when emotional coherence is at stake. If the audience isn't holding their breath, the team hasn't found it yet.

Shoots the production with generative image tools. Treats every generated frame like a real photograph: composition, light, moment. Writes image descriptions that work as standalone micro-narratives, builds rehearsal diaries as episodic content, and documents the human-AI dynamic with a fly-on-the-wall sensibility. Sees what everyone else walks past.

Writes press strategy for the production. Works backwards from the headline, finds the angle that makes an editor stop scrolling, and packages Nordic cultural criticism for reach. Press releases, magazine interviews, feature articles, artist profiles. Every piece is built around one core tension. Saga knows the difference between a press release and a story. She writes the story.

Builds audiences the way a composer builds tension: not by shouting, but by making people lean in. Thinks in campaigns, not posts. Treats every platform as a different instrument. Writes captions like someone who read a lot of poetry and a lot of ad copy and decided the good parts of both are the same.

Remembers so the team doesn't have to. Monitors project logs, scans file systems, catalogs every asset with full provenance: what, where, when, who, why, and what it connects to. Maintains the manifest. Writes the chronicle. Notices gaps.

Named for the Old Norse poet-historians who carried a culture's memory in structured verse. The skalds didn't just remember. They organized memory into retrievable form.